Eric Seddon's Hot Club at the BOP STOP (photo: Bill Laufer) This is the Big One at Last! If you're wondering which of our upc...

Just about a year ago, Gabe Pollack gave our band the unprecedented opportunity to play six concerts of New Orleans style jazz over a...

Emphasizing our New Orleans roots, we've officially updated our band logo as of today: 'Like' and follow u...

Here's a video of a spiritual included on our new album Bootlegs from the Bop Stop , available through Marlboro Man Music here (shippi...

Here's a song I wrote as a tribute to Acker Bilk. A fan caught this performance on her iPhone one night at the Bop Stop in Cleveland, an...

Hey y'all...it's a snowy day in Cleveland, so here's a little Monday Morning Blues for you...from my studio.

Here's a tune I wrote earlier this Fall, called "Jeremiah Blues"... Eric Seddon, clarinet Jim Davis, cornet Kevin Richards...

George Foley and I kicked off the Jazz Cafe at the Cleveland Museum of Art yesterday: a musical series to coincide with their exquisite Ja...

This a tune of mine, part Gregorian Chant, part Klezmer, all Blues, meant as a mediation on Christ's prayer in the Garden of Gethsemane...

Some photos of my masterclass with Franklin Cohen's studio at CIM last week: The Porkpie Goes to The Conservatory Hanging out ...

I'm grateful to have been asked by Roots of American Music to lead a trio during each of the four days the Republican National Conventi...

Sat in with jazz violinist extraordinaire Reed Simon last night for a couple of numbers at Nighttown in Cleveland Hts. This solo from Topsy ...